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  • Máret Ánne Sara (1983-) with her artwork at the exhibition “Environmental Injustice – Indigenous Peoples’ Alternatives” (2021-2022) at Musée d’ethnographie de Genève (MEG), Switzerland 2021 MEG Inv. ETHPH 90345 © Photo Johnathan Watts, MEG
    Máret Ánne Sara (1983-) with her artwork at the exhibition “Environmental Injustice – Indigenous Peoples’ Alternatives” (2021-2022) at Musée d’ethnographie de Genève (MEG), Switzerland 2021 MEG Inv. ETHPH 90345 © Photo Johnathan Watts, MEG
  • Foreground: Máret Ánne Sara, 'Gutted – Gávogálši', (2022). Background: Máret Ánne Sara, 'Ale suova sielu sáiget', (2022). Exhibition view: ‘The Sámi Pavilion’, 59th International Art Exhibition – La Biennale di Venezia, 'The Milk of Dreams', Venice (23 April–27 November 2022). Photo: Michael Miller / OCA.
    Foreground: Máret Ánne Sara, 'Gutted – Gávogálši', (2022). Background: Máret Ánne Sara, 'Ale suova sielu sáiget', (2022). Exhibition view: ‘The Sámi Pavilion’, 59th International Art Exhibition – La Biennale di Venezia, 'The Milk of Dreams', Venice (23 April–27 November 2022). Photo: Michael Miller / OCA.
  • Architectural photography of Turbine Hall, 2008. Photo © Tate (Marcus Leith)
    Architectural photography of Turbine Hall, 2008. Photo © Tate (Marcus Leith)
  • Hyundai Commission: Kara Walker: Fons Americanus, Installation view 2019. Photo © Tate (Matt Greenwood)
    Hyundai Commission: Kara Walker: Fons Americanus, Installation view 2019. Photo © Tate (Matt Greenwood)
  • Hyundai Commission: Anicka Yi: In Love With The World, Installation view 2021. Photo © Tate (Will Burrard Lucas)
    Hyundai Commission: Anicka Yi: In Love With The World, Installation view 2021. Photo © Tate (Will Burrard Lucas)
  • Hyundai Tate Research Centre: Transnational, Visual Identity © Tate
    Hyundai Tate Research Centre: Transnational, Visual Identity © Tate
Máret Ánne Sara (1983-) with her artwork at the exhibition “Environmental Injustice – Indigenous Peoples’ Alternatives” (2021-2022) at Musée d’ethnographie de Genève (MEG), Switzerland 2021 MEG Inv. ETHPH 90345 © Photo Johnathan Watts, MEG
Máret Ánne Sara (1983-) with her artwork at the exhibition “Environmental Injustice – Indigenous Peoples’ Alternatives” (2021-2022) at Musée d’ethnographie de Genève (MEG), Switzerland 2021 MEG Inv. ETHPH 90345 © Photo Johnathan Watts, MEG
Foreground: Máret Ánne Sara, 'Gutted – Gávogálši', (2022). Background: Máret Ánne Sara, 'Ale suova sielu sáiget', (2022). Exhibition view: ‘The Sámi Pavilion’, 59th International Art Exhibition – La Biennale di Venezia, 'The Milk of Dreams', Venice (23 April–27 November 2022). Photo: Michael Miller / OCA.
Foreground: Máret Ánne Sara, 'Gutted – Gávogálši', (2022). Background: Máret Ánne Sara, 'Ale suova sielu sáiget', (2022). Exhibition view: ‘The Sámi Pavilion’, 59th International Art Exhibition – La Biennale di Venezia, 'The Milk of Dreams', Venice (23 April–27 November 2022). Photo: Michael Miller / OCA.
Architectural photography of Turbine Hall, 2008. Photo © Tate (Marcus Leith)
Architectural photography of Turbine Hall, 2008. Photo © Tate (Marcus Leith)
Hyundai Commission: Kara Walker: Fons Americanus, Installation view 2019. Photo © Tate (Matt Greenwood)
Hyundai Commission: Kara Walker: Fons Americanus, Installation view 2019. Photo © Tate (Matt Greenwood)
Hyundai Commission: Anicka Yi: In Love With The World, Installation view 2021. Photo © Tate (Will Burrard Lucas)
Hyundai Commission: Anicka Yi: In Love With The World, Installation view 2021. Photo © Tate (Will Burrard Lucas)
Hyundai Tate Research Centre: Transnational, Visual Identity © Tate
Hyundai Tate Research Centre: Transnational, Visual Identity © Tate

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